enter tsuruda. championing one of the most innovative and heartfelt collectives in the los angeles area, this salt lake city native has a very bright future ahead of him. expertly combining the hard-hitting percussion of trap, the swagger and depth of hip hop, and a style of sampling and melody creation all his own, tsuruda truly brings a unique and gripping sound to the stage. in a scene where true originality and heart is often difficult to find, tsuruda follows a similar path to artists like ta-ku and mr. carmack. he understands his love for music and his own struggle, and brings them into the light for his listeners. following his extensive body of work be sure to look out for his album “move”, dropping on noisia’s division imprint soon.

nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

framed by two spoken word samples and wrapped in house and techno emotions, that know about electro and 90’s electronica too: the new, second album of the leipzig and berlin based producer and live artist martin enke aka lake people moves in a fresh way. this time he shifts towards a focus on the essentials of electronic club music: sounds and groove, rough and playful interweaved with the aesthetic particles of techno. with his “point ep”, released on the berlin based imprint krakatau records in late 2012, his creative life as a producer for melancholic driven club tunes took off. several top notch djs played the tune “point in time”, lake people started to tour world-wide with his mesmerizing live set and produced countless remixes for colleagues from all around the globe. in 2015 he finally released his first album “purposely uncertain field” on the munich based label permanent vacation and delivered eleven tracks at the interface of techno, ambient, experimental and electronic, that bewitch with hymnal chords, yearningly melodies, detailed production, elaborate sound design and an overall introspective, emotive feeling. now, just shortly after he published a fresh ep on the dresden based imprint uncanny valley, lake people drops “phase transition”, a new album consisting of ten haunting tracks full of dance suspense. he recorded all between 2016 and early 2017 on various vintage analog synthesizers, uad and other creative interfaces. to find out if his latest pure slamming tracks work deep, he tried them out during his live shows in order to catch some new ideas directly from the dance floor.

for its fourth release under its main series, quanta records welcomes panorama island, zwei kreise’s new album, mixing ambient, idm and sonic experimentations. with panorama island, zwei kreise delivers one of his most accomplished work so far, inspired by memory and more precisely its flaws: hidden corners, lost knowledge or elliptic recollections.
melancholic ambient tracks and deconstructed breaks come one after the other and set the mood of the person who dives in. melodies play a very important role in these introspections: meticulously planned, sharp or languishing, they guide the listener through his wandering. in this record, zwei kreise shows his obsession for detail and micro-variations under a new light, more ethereal and contemplative, renewing our perceptions with every listening.

nice price deal !!! the third release is here. now we have another great work from our artist yofunk. >bring you down< is a perfect tool for the prime time. on the b side is our new artist nasty boy from italy. two wonderful tracks working good for the middle or after hour sessions. great tunes with great feeling. enjoy!

cottam returns to the eponymous label that started his musical journey with a couple of first for the label more than two tracks and a step away from the reworks that have usually characterised this label to more original work with a minimum of samples, all with a nod to pauls continued struggle with illness.

the latest ep on tresor records comes from reduction luminary terrence dixon. detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – from the far future. it took over a decade for its sequel to follow – from the far future pt.2 released in 2012 to great public acclaim. this year, terrence dixon prepared a matchless four track ep, going ever further in his very own tenor of collided electronics and mesmerizing tones. words can simply not describe.

it is an honor for 7777 to present its 13th release featuring dmx krew and yuri suzuki. side a brings you straight house attitude. b side strips it down and adds the acid. these songs are perfect for your record bag.

transit records 005, -without end hours“, comes loaded with phat, but definitely distinct dancefloor bangers that take the title of the ep quite literally. they cover a full night (and day) out in the club, and range from dark, technoish house („when your groove is mine-), over uplifting re-interpretations of classic house anthems (-without end hours-), and dystopian tech-house (negativ dekadent remix), through to sizzling after hour house (zuckermann remix). ryoma sasaki’s originals show his love for classic electronic music blueprints and how he is able to turn them creatively into something compellingly fresh and contemporary. it feels like listening (and dancing) to something you know, but not from the past, more so from the now. and while they wonderfully work in that now of the night, negativ dekadent turns this familiar feeling into an uneasiness with the future, only to make you forget about it in the abyss of his beats and overwhelming synth patterns just before the morning breaks. finally, zuckermann fully beams you into the slightly distorted new world you might find yourself in anyway at 11 am on a beautiful sunny morning on one of those (berlin) dancefloors.

banoffee pies return with the second in their beats series. another record featuring friends and family with label members slim. and simiah both dropping 4 sample heavy cuts, more original vocal work from the blossoming merryn jeann, and local bristol talent with a beat maker named crate head and rodn3y. mesmerizing melodies pull this rolling beat tape together with another 12 track selection of dusty head nods for your listening pleasure from a to b. a new journey for the banoffee pies camp that continues to push and collaborate musical boundaries in all directions. for the music and lovers. living room jams made in smoke. banoffee xx

since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. with that, get on down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of the platform. the rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

after one year of high energy industrial and punk-leaning music, kess kill presents something slightly more contemplative: the vinyl debut of the swedish act grand mal x. the solna based duo started in 2010 and was first known from the cassette scene, which was also where we stumbled across their work. drawing from a long and wide palette of influences — from osho dynamic meditation and eu highways, to artists like suicide, coil and rune lindblad — their music breathes an ethereal yet catchy air, a difficult line to tread. the fact that one of the members is active at the legendary experimental ems studios in stockholm might be the reason for the unusual amount of depth and maturity, steering the music sternly away from the plainly accessible. opener ‘late night call’ is a brooding and growling number perfect for setting the mood in any room or occasion needing an infusion of sweaty sexual energy. ‘speed of light’, the record’s most up-tempo song, leans towards both synth pop and electro-punk. on the flip ‘the trip’ does the exact opposite of the opener, winding things down both emotionally and energy wise, replacing sex appeal with lithium-lined angst, not unlike alan wilder at his deepest. ending the ep is ‘rabbit’, an unadulterated trip down a similarly named hole for those who feel like falling. summed up it’s the most abstract but surprisingly catchy kess kill release to date, an essential beacon in grasping the label’s concept.

we’re glad to welcome back aun to cyclic law for their latest opus! aun’s music as always suggested forays into other dimensions, be it to imaginary worlds, industrial wastelands, through space and time, or via mind altered states. from the ominous dystopian artwork, of a city being drained of its energy by some mysterious black hole, to the first notes of the title track “fiat lux” we are once again transported on aun’s otherworldly travelling path. ever since the space industrial and power electronics of aun’s previous cyclic law cult release “black pyramid”, the world has become even more sinister, but in contrast, “fiat lux” exudes even more of aun’s melancholic hopefulness. the disintegrating chords and densely textured waves, anchored by a left field industrial pulse, invoke occult drug enhanced, future psychedelia. created in part in their montreal studio, these tracks were extensively performed live, prior to recording, and refined while on tour breaks in montpellier, barcelona and tokyo. the energy of these cities is definitely at work in these recordings, which also features a french connection of experimental heavy hitters: witxes, frédéric d. oberland and philippe petit have helped round out dumais and leblanc’ arsenal. fiat lux: let there be light, from light will come darkness.

long beach serial chiller ahwlee is a beat vet who delivers smooth buttery samples with a nostalgic vibe. 1991 is a cult classic cassette now issued for the first time on vinyl. these tracks are dusty, mellow and easy-going. don’t mistake mellow for boring, however, because ahwlee’s production is nuanced and intricate underneath the minimalist overtones. there’s jazzed-up rhodes all over the place, and the percussion work masterfully includes a ton of negative space in between perfectly chopped breaks. they’ll get your head nodding.

kalakuta soul records proudly presents the homewreckers new full length album, machinekiss. the ruhr valley-raised trio have been heavily involved in the underground dance music scene for many years and the soulfulness of their output is unquestioned. now machinekiss might come as their masterpiece. recorded over the past three years the album s nine tracks evolved out of a long in-depth investigation of blues and funk recordings from 1910 to 1980. as the sole sonic sources, the musicians - johannes ehmann, gregor pottmeier and krischan wesenberg - use their own music collections, making the work a reflection of their personal and collaborative history and backgrounds.micro particles of guitar chords, organ sounds and drum elements reappear in new contexts and are fused with contemporary synthesizer and bass motifs. the results are deep, rhythmic, complex and eccentric, leading the listener into the melancholic, more obscure sides of urban life.

make love in public spaces is a new but not so mysterious offshoot of a label which will be familiar to anyone who has been to a certain erotically charged discotheque with a big heart in east london over the last 4 years. they launch with a three track release from adesse versions that recasts underground 90s classics of some vintage in his own inimitable style - the lead track is destined to get club play for months to come thanks to its deft vocal hook. adesse versions is the anonymous alias of a techno producer with previous work for ostgut ton and curle, showing his house side and who you will no doubt recognise from his most recent work for trus mes prime numbers label as adesse... ltd stock

der produzent und digger fuzati (klub des loosers) hat zusammen mit modulor das le très jazz club label ins leben gerufen, das exklusive reissues an jazz-raritäten aus japan veröffentlicht. der erste release aus dem jahr 1970 stammt vom saxophonisten kosku mine, der mit fender rhoses instrumentalist hideo ichikawa hier interagiert und intensiven spiritual jazz liefert.

they say time flies when you’re having fun, and if you ask dubfire whether the last ten years of his career feels that long, it’s clear that he’s been having too much of a ball to notice. it’s only fitting, though, to celebrate this milestone with a comprehensive retrospective of his work: a decade of dubfire.
the triple vinyl release comes in a gatefold sleeve for the entire discography 2006-2016.
the triple vinyl comes with a download code (beneath sticker on the wrap).

for the past four years francesco leali kept busy running parachute alongside co-owners manfredi romano and thomas feriero, producing under different monikers and touring the globe as half of cw/a. finally back as clockwork, leali reveals a five track ep featuring some of his rugged music to date. a briery shift into foggier territories where leali explores layered sound-design and broken rhythms, something he had only hinted in his previous work. online entity depicts lealis hindrance with modern societys social networking obsession. in contrast to what these services were actually intended for, leali explains, they seem to have impacted a lot of people negatively, resulting in unnecessary resentments, misinformation and feelings of proximity when these tools can easily alienate you from reality. constantly worrying about how you want people to perceive you is absurd already, but for many of us this constant sharing has become the only way to achieve happiness, to be satisfied. in an era where all of this is getting out of hand its essential to remind yourself of the things that truly shape you as an individual. with online entity i aimed for feelings of release, mutating resentments into something positive - more physical. i imagined it as a soundtrack to an escape from these very situations. the release showcases this approach with five club-ready numbers filled with calculated, pounding drums and gloomy atmospheres, with only rare glimpses of hope scattered throughout. to round things up we mobilised fellow parachute affiliate ayarcana and serbian techno pro lag who both deliver two startling interpretations of escape sequence and rumination.

this is kollaps first full length album after having gained recognition from releasing vinyl only excursions on grade10 records and remixing work for darkstar on warp records. the record has been pressed on to 180 gram vinyl and is has been mastered at star delta. the album comes with a full colour glossy sleeve and centre labels which reflect the music within. they have had their music played by benji b as well as radio 6 and other more underground radio stations. their last release on grade10 got great reviews in the fader, who said i rarely have the occasion to use the word magnificent, but the releases a-sidean epic 7-minute number titled misery has squeezed all the other words out of my head.

peripheral minimal is proud to present the new 12inch by the french electronic pioneer, philippe laurent, entitled, phoenix. this will be philippes second release on peripheral minimal after the infectious synthetic classic 12inch, mithra. phoenix is a three track ep featuring two brand new tracks on the a-side, phoenix (featuring philippe s trademark robotic vocals), and, agapao. meanwhile over on the b-side, we have the 13-minute electronic opus and highly representative of his early work, exposition 4, a never before released track from philippes extensive archive, and recorded in 1982. the e.p. is representative of philippe s latest forays into contemporary synth music, but still with a retro futurist edge and influenced partly by german pioneers kraftwerk/late 70s kosmische and au courant electro/synthwave acts, fitting into the current enthusiasm for early 80s synth pop and minimal wave. the ep is presented on white vinyl and limited to 300 copies. mastering by martin bowes @ the cage.

the motionless present is a collection of unreleased poems and soundscapes by the philadelphia-based artist and activist camae ayewa, who performs as moor mother. reverberating and rumbling through the thoracic cavity, few records spoke to the contemporary black american experience quite like moor mother’s 2016 protest album fetish bones. her first new material since that visceral and political work,the motionless present is a statement towards understanding the disconnect between humanity and injustice. the release features various new collaborations and previews of upcoming projects: black quantum futurism, moor jewelry, mental jewelry, 700 bliss and more. the motionless present was created in collaboration with the vinyl factory ahead of moor mother’s ctm festival performance at berghain. artwork designed by bcmh using the collage artwork of grassi.

for its 6th release, bjarki and johnny chrome silver’s bbbbbb records welcome new signing eod (aka stian gjevik) to their unholy alliance with his swurlk ep . the norwegian born, strictly analog producer takes the label off-roading with four outstanding productions channeling ambient, electro and hard bloody techno. having released on imprints including rephlex and weme records, it was actually on soundcloud that bjarki discovered eod’s music. after getting in touch, the scale of his work emerged as gigabytes of unheard music dating back to 2002 were exchanged, all of which was made without the use of a pc an approach which speaks for itself through his instinctive, playful melodies. swurlk ep boasts an impeccable sense of arrangement, more like that of a composer, and even more impressive considering the absence of any computer. the title track opens with a velvety smooth synth melody building with bass textures.‘evenhark uses a broken beat framework to carry floating harmonies. swarm uses layer upon layer of stuttered percussion to build into a relentless techno cut. elcaset_testgroove pairs catchy, interacting melodies with pensive harmonies. swurlk ep is a must listen for fans of melodic electro and an exciting move from a label that continues to challenge all our fucking expectations

following up on their recently released pertiwi ep, featuring two original tracks and a 10 minute soundbath rework of this very record by gonjasufi, gamelan voices (aka nid & sancy) present their first album, aptly titled i.the result is a visceral blend of raw gamelan instruments, atmosperic synths, bass guitar and washes of asian metallophones.although the nine tracks on this album are meditative in nature, you d be wrong to assume this package is little more than new age synths noodling away. i is ambient with a raw component. it touches a nerve and it s as much inspired by the work of jon hassell as it is by coil. i will be released through gong ear and available on digital,cd and vinyl.

straight from the ghetto!
dance mania re-release from 1997 with a new hot chicago house remix by south side underground in 2017.
mastered at schatz.mastering.studio
supported by dj deeon & dj krime

in 2016. i rented out a small piano studio in east london for nearly the whole year and set out to write an introspective, trendless, and mostly beatless album. inspired by albums from this mortal coil and scott walker, who also sought freedom to work outside of the expectations of their previous work, i limited the instrumentation to mostly an acoustic piano and effects, which left space to expose a lot of emotional vulnerabilities about myself and people close to me. writing lullabies about being a mother in a dystopian world, with pensive words about swimming against the current as a female artist, i felt free enough to tell untold truths that i’ve never felt comfortable talking about within music. free, liberated, empowered. naked.

paulino vieira, bana, and their legendary troupe, voz de cabo verde, made lisbon the headquarters spearheading the musical revolution taking place within cape verdean emigre communities across europe in the 1980s. musicians from across the diaspora would eagerly travel to the portuguese capital to record. but in smaller pockets, second-generation krioulu musicians were independently contributing to one of the most lush periods of cultural innovation by immigrants in europe. in 1986, a group of nine teenagers — antonio monteiro, ambrosio gomes, emilio borges, fefa cabral, to pereira, pedro varela, celeste monteiro, clarisse, germano shares — formed the largely unknown, often overlooked, but consistently brilliant band, pilon. combining traditional funana rhythms and the hybrid colazouk style with psychedelic synth work and rugged guitar ostinatos, pilon refined their sound for years until releasing these recordings as part of their debut album, tradicao, in 1993, with a tight-knit unit of just five remaining members. the band is still a popular mainstay for parties in the cape verdean circles of frankfurt, paris, lyon, marseille, rotterdam, and geneva.

heavy hammond organ led driving ancefloor devastation on whip it on me taken from the heavy soul album from 1968. on flipside and taken from the new genius of the blues album from 1967 and the first time ever on a 45 is bill s killer rendition of got my mojo working (but it just won t work on you) featuring mr hawks on vocals and organ and joseph jones on guitar. powerful stuff from the mukatsuku camp and another essential single for your record box! limited edition. strictly no repress

after a handful of 12-s for labels like hessle, liberation technologies and his own imprint b.s hell, bandshell returns with a knock out blow for ftd!
mutant drum structures, cascading synths and industrial bell ringing forms the backdrop to bandshell’s latest work. those paying close attention to his output over the years will remember his work on labels like hessle audio, liberation technologies and his own recently setup b.s. hell.

artcub records is an new open-minded techno label created by marco gayo from france. the label will propose somes deep to raw techno in his futures releases. here the first work from the rising star of nederlands: qindek. darko esser was the man who pulled qindek and gave him a shot at his own wolfskuil-label to release music in vinyl. people like laurent garnier, rolando, norman nodge, ben sims, dvs1, pfirter, benny rodriguez (rod), sandrien and Âme incorporated qindek’s release in their sets.
trappist one ep is an attempt to create some of the emotions and state of minds while being on the ship towards our next destination within this multiverse. intergalactic light ensemble is traveling at lightspeed towards adventure, and midst of travel we discover something unexplained. waves and waves is the contemplation of that moment. alarma is a code red, losing our minds as we encounter a energyforce which has far greater powers than we ever imagined. how do we face such powers? eon gives answer to such quations, as we progress into our creative awareness, and gaining new insights on how to manipulate energy.

the latest transmission from the world of gunnar haslam, kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. an incredible work that is not easy to pigeonhole, kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

osmose and thoma cher present 4 disco house jams that will work the floor from hotlanta to shanghai. each song arranged for peak hour vibes!

next up on hell yeah is -the most balearic record i have ever released- according to label boss & it comes from japan s disco don max essa which features a four part track, themes from the hood, the cad, & the lovely, on one side of vinyl, and two more on the flip. essa was born matthew bruce and the uk artist has now been releasing his blissed out beats on labels like feel music, electric minds, bear funk and is it balearic? recording for a decade. a prolific producer whose big hits like panorama suite/uptown vibration (is it balearic?) from 2010 have long been in the hell yeah boss s record bag, essa first approached the label with a bunch of tracks. a good correspondence alchemy ensued and together the artist and label decided to put out the most timeless 12inch possible. the exquisitely ambitious themes from the hood, the cad, & the lovely is almost 12 minutes of serene ambient synth work that is like a soundtrack to a hot summer s day. heavenly chords sound just like a breathy female vocal and as they come and go, one finger piano tinkles add real emotional beauty and gentle twinkles shimmer in the distance. half way through lazy drums propel things along at a loveably lethargic pace and immediately place you on the beach. on the flip, saguaro is just as organic and beautiful, but has tumbling drums, wooden hits and soft claps as well as essa s magical synth work all bathing your soul in warm rays. b2 buran chime is perfectly horizontal and expansive, with tinkling triangles, angelic chords and scattered hits and harpsichord sounds all radiating effusively. this is timeless music that will calm busy minds now and forever.

arriving as the first release of the new sublabel series figure jams, this split ep by fabrizio lapiana and amotik serves not only as a crafty cut in its own right but also showcases a particular type of package, which figure will be facilitating from now on. the a-side is taken up by a pair of lapiana’s irresistably dense grooves that unmistakebly tread in the footsteps of his homeland’s highly emotional techno, unafraid of big melodies but also injecting just the right amount of twisted acid to set the floor ablaze. this sense of grandeur and space is also reflected in the work of fast-rising producer amotik. painting with his very own colours as an equally epic scenery, its bleak and post-apocalyptic landscape dominated by broken industrial beats and hypnotically swirling synths.

ninze & okaxy’s “blurry mind”, a frame of their impressions & work, as sine qua non for every listener, and a memory of all their travels over the past year. for the last half a decade ninze & okaxy have been establishing a significant and experimental sound, self-branded ketapop, by creating a spherical, yet melancholic atmosphere with a distinctive deepness and complex sound patterns. as part of the laut & luise family, and working their magic with side-project wide awake.
the blurry mind ep contains three unreleased tracks and plus the soundcloud hit four that is now officially published.

mei zhiyong had been instrumental in arranging dp’s tour of china. when mei zhiyong and dave phillips first met in beijing in july 2014, mei spoke not a word of english and dp not a word of chinese. and they we were to embark on an 18 city tour together. verbal communication between mei and dp was obviously difficult to say the least. it would often result in comical misunderstandings, total puzzlement or bewilderment, but it would also be a source of constant amusement with wonderful moments of instinctive trust. but then there is sound, the ultimate language… to return the favor, dp arranged a tour for mei and himself in october 2015 through 20 european cities. which is where the source material was recorded. dp then selected, dissected and transformed those recordings to work out something different, not just a collaboration, not just an amalgam of two styles, but something new for both. the compositions on this lp are the result.

having made himself an indispensable member of the uk soul/funk scene, playing live performances of ‘zoology’ to much acclaim, as well as setting up a regular groove night at london’s 606 jazz club, carl has recently finished work on his second album - pixel planet, which tells the story of an alien spacecraft, exploring our solar system, 30.000 years into the future - looking for the last bastion of human activity long after we have departed. this dystopian tale is told using a huge array of cosmic electronics, many of which were soldered together by carl himself, including his own diy synthesiser - the recyclotron 64 - constructed out of commodore 64 chips and built in an mdf box, and providing some of the monster bass lines on this album. as well as calling in the digisoul gang, some new friends appear on this album, including powerhouse drummers pete ray biggin, and ‘jungle’ jimmy norden.

limited coloured 180g vinyl, housed inside a gatefold jacket featuring the full score. comes with region free dvd and a download card.
death waltz is thrilled to announce an lp/dvd combo of abdullah, a short film released by ne er do well films, for record store day 2017. it’s a dark tale concerning the largely unknown underbelly of the city. abdullah is a lonely man, a turkish mini-cab driver in london who has been forgotten - by the city, by society, and by his own community. when abdullah picks up a new fare one night - a troubled young man who finally takes notice of him - things take a dark turn. as the two men make an undeniable connection, the question becomes clear: can abdullah change his fate or is he destined to be swallowed by his own loneliness?

2017 repress arriving soon!
sensible techno with refined layers of sounds and powerful percussion on a foundation of solid subbass on this all paris affair. made in paris is the key word of this second release on taapion records. all these young artists are part of a new french techno movement. antigone or roman poncet already crossed borders (indigo area, concrete, figure). other just emerging from the dark basements of paris. shlomo, pvnv and awb deliver some solid work on the taapion label.

nice price deal !!! for its seventh release, aku welcomes molly with her debut solo ep, a sublime three tracker. the french artist has established a sterling reputation with remixes on labels such as rekids, karlovak and all inn but this is her very first collection of solo work. ‘s.b relief’ finds a home on yoyaku’s sublabel aku. over on the a side, she comes with a slight different style, throwing down a rolling beat with some minimal glitch. a round and heavy bass drives the track along while a dubby synth adds character. one for the summertime heads, you can feel the ultraviolet rays beaming out of this one. on the b side, are two deep, sultry productions, with house tropes and minimal bleeps. both cerebral, sensitive compositions, that kind of tracks that molly skill fully threads into her dj sets.

remixes of tracks from anthony collins >dreaming of running ep<, which came out end of last year.
nina kraviz from moscow must be without a doubt the hottest producer of the moment, after her work on underground quality and rekids. she gives her own personal touch to another lonely night. get prepared to hear a lot more of her in the future!
los updates, originally from chile and now residing in spain, are close collaborators with ricardo villalobos and have released an album on cadenza. they loved bruised inside so much they offered us themselves to do a remix. thanks again jorge y loreto!

iarltd007 belongs to mexican artist and illegal alien member, fixon. psj is the name of his new work and includes three big remixes by eric fetcher, mental resonance and antonio de angelis.

through the jungle mists come alleged witches - hailing from slovenia and the latest signing to meda fury. voodoo drum work outs and distant native tongues echo through the ages. pressed into eerie, marbled, black vinyl and hand stamped with that meda fury seal of excellence. vinyl only magic forest tracks for djs.

repress!!! frame of mind is a new venture initiated by gerd: a label that focuses on re-issuing rare and sought-after tracks as well as on releasing new music. first up we serve you this official re-release of nature boys classic ruff disco volume one. this highly in demand double pack goes for mad money on the second hand market, so after 25 years, a beautifully remastered edition is finally here. nature boys sound is best described as a rough combination of disco infected grooves with raw and hard hitting rhythms. tracks such as the livingroove, ha ha, trackin and of course tobago caused bliss and mayhem on dance floors world wide and brought joy to thousands and thousands of dancers, djs and music collectors all over the globe. this lp displays a fine mixture between house, disco and sometimes even dub/reggae. to this day ruff disco volume one is a timeless work of art.

nice price deal !!! this two track white label is a simply great. it is 2 mixes of a very good disco laden pumping club track. the a side is a real solid house groove at a steady tempo, well produced with excellent drops, breaks and edits. the flip side has a more pumping bassline and has a higher tempo and would work well on slightly harder floors

a concept album is the best way to get back to being agan. -amplification of movements- (2017) is the first full-length album of giuseppe carlini, already a member of plaster with gianclaudio h. moniri (kaeba). a work inspired by and dedicated to the natural reserve of vico lake, in italy. during a four-year period, from 2012 to 2016, the artist focused on the wildlife of the area in the province of viterbo, considering it both as an inspiring muse and an object of study. -amplification of movements- was developed little by little, in the wake of an -onion- architecture and layered in six songs which inevitably reference the nature of the site. the parallels between the place and the music are also to be found in search of a sound, which is balanced between field recordings and self production.

long time friends cesar merveille and ryan crosson return to visionquest to reignite their ‘merveille & crosson’ project in late may with three fresh, intricately programmed cuts. visionquest boss ryan crosson and parisian cesar merveille need no introductions, with the duo’s back catalogues featuring material on the likes of revered imprints cadenza, desolat, little helpers and mdrnty. 2011 welcomed the introduction of their ‘merveille & crosson’ project, with their debut album ‘drm’ on visionquest gaining plaudits from industry heavyweights including ricardo villalobos, and after a five years absence here we see the duo return once again to deliver ‘dream state’, a three track ep that oozes quality from the off. the a side is home to title cut ‘dream state’, a production that tumbles and twists smoothly around meandering synths, crisp percussion shots and a bumping low ends, typical of the duos free flowing and evolving production styles. on the flip, ‘guns’ sets to work through pitched down vocal loops, sweeping sonics and rich textures all reinforced by a driving bassline that carries plenty of groove, before ‘time contraints’ slowly unveils itself with a series of off-kilter gliches and pops, delicate pads and sophisticated sound arrangement, concluding yet another fluent and immersive offering from merveille & crosson, and an excellent addition to the visionquest catalogue.

adult only 47 has arrived with pierre codarin dropping some funk on 3 originals alongside a remix from dan ghenacia and chris carrier.........a1 telefunk kicks off things and rolls with a wonky filtered drum pattern picking up a real swung groove before a subtle vocal is then joined by a bass line can only be described as something from a late night jazz workout in the deepest darkest realms of the parisian capitol...detroit style pads and intricate keys keep this groove interesting through out the track pushing it forward more and more with sweet drum edits and skips that are all to known from pierre. a2 morning eyes twists things up with trippy spacey pads and a very nice 303 sitting low in the mix. driving drums make this track work well as it draws to a stripped back moment where the 303 really comes through and does its thing. this really is 6 minutes of a funk fueled adult only workout!b1 telefunk remix dan ghenacia and chris carrier dan and chris bring their twist on pierre s telefunk coming through with a very interesting take on things producing a very tight rework........... b2 evening juice grooves along with a nice warped synth stabs, a bass line that throws it self around the room, the drum pattern keeps things energetic through out alongside a faintly obscure vocal fitting well in the track, evening juice brings the soul and finishes the ep nicely making this overall a very solid package from pierre.

a sublime and quietly hypnotic work belied by steadfast conceptual rigour, grafts is the most ambitious and involving work yet from kara-lis coverdale, her first since 2015.
in three parts of cascading yet plaintive multi-instrumental gestures, grafts expands on the processing and self-temperement techniques explored on 2014’s a 480 into a more encompassing palette. uncompromisingly distinct while redolent of modal minimalism, 70s, new age, and folk music, grafts effectively blurs distinctions between traditional composition and more open, overlapping genres that hover in the half-light between acoustic and electronic refinement.
limited one-sided vinyl release.